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About Traditional Art / Professional Core Member Fred GallagherMale/United States Recent Activity
Deviant for 8 Years
1 Month Core Membership:
Given by an Anonymous Deviant
Statistics 142 Deviations 117 Comments 101,666 Pageviews

Newest Deviations

SavePoint - FlightDeck :iconfredrin:fredrin 124 15 SavePoint - FlightDeck (pencil) :iconfredrin:fredrin 111 5 The Great Underground Empire [Color] :iconfredrin:fredrin 139 11 Save Point - Damage Check :iconfredrin:fredrin 122 12 SavePoint: Tousled Yakugashi (pencil) :iconfredrin:fredrin 155 8 SavePoint: Tousled Yakugashi :iconfredrin:fredrin 180 13 Aria Wintermint and Gug :iconfredrin:fredrin 281 13 Save Point - Tryst :iconfredrin:fredrin 126 7 SavePoint - Scramble :iconfredrin:fredrin 127 11 SavePoint - Ghost :iconfredrin:fredrin 127 8 Save Point - Pub :iconfredrin:fredrin 119 7 Drop - Staggering Miho [watercolor] :iconfredrin:fredrin 108 3 Drop - Ghost :iconfredrin:fredrin 133 9 Drop - The Pub near the Base :iconfredrin:fredrin 80 2 Drop - Staggering Miho :iconfredrin:fredrin 50 0 Twintails with Difficult Personalities :iconfredrin:fredrin 116 6

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Activity


SavePoint - FlightDeck
Here is the finished version of the Flght Deck illustration, COPIC colored.  Asako does actually look surprisingly haunting floating back there behind Kimiko.  It was a good experiment in trying for a more dynamically lit scene - not 100% successful, but going in the right direction.  Starting to get better at adding density and color depth.

The one thing in this drawing I really want to explore further is that Heads Up Display using customized Nixie tubes to put information in front of the pilot.  An interestingly retro tech idea that I think I will try drawing more detail on sometime in the future.

The original art for this drawing is up in the MegaGear store here: www.megagear.com/6307_SP_Fligh…

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SavePoint - FlightDeck (pencil)
Here is the finished versions of the Flght Deck illustration, pencil rendered.  Asako does actually look surpisingly haunting floating back there behind Kimiko.  It was a good experiment in trying for a more dynamically lit scene - not 100% successful, but going in the right direction.  Starting to get better at adding density and color depth.

The one thing in this drawing I really want to explore further is that Heads Up Display using customized Nixie tubes to put information in front of the pilot.  An interestingly retro tech idea that I think I will try drawing more detail on sometime in the future.

The original art for this drawing is up in the MegaGear store here: www.megagear.com/6307_SP_Fligh…

EDIT: there was some sort of problem with the original upload, so im trying it again.

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The Great Underground Empire [Color]
When the Chemi suggested what he would like to see for the next Endgame book cover he told me "Pirogoeth walking in a dark cave, with a Grue lurking in the darkness behind her".  After i glowered at him as much as is possible over general text messaging i pointed out how difficult that would be given the nature of how i color things.  Deep contrasts and shadows are something i've been struggling with getting better at rendering.  Since i work from light to dark, it takes me a long time to build up darker shadows, so... well, this was a challenge, and i took it :)  End result is actually not too bad.  I think i struggled more with getting a good stalking pose for Pirogoeth than working with the dark.  It is a goal of mine to get better with contrast and shadows, so this is just another path along the way.  

Original artwork for this and for the Pencil rendered version are up in the MegaGear store www.megagear.com/category_s/14… if you are interested :)
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Save Point - Damage Check
Kimiko, co-pilot of the Save Point, has been haunted by a ghost since they took heavy damage in a previous mission. Roughed up in a more recent mission, Kimiko finds that she's even becoming numb to actual physical damage to herself... so why is Asako, a crewmate she watched be torn from the plane through the bombbay when an entire rack of bombs sheared loose, haunting her?

Sorry, i started into story mode there. :)  I'm still saving that, but it was kind of an interesting drawing, and color brought it out well, i think.   
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Ugh.  2011 was not what i'd call a particularly good year.  Figures that it was the 10 year aniversairy of MT and stuff, too. ^^;;  One casualty of the year was a lot of BS with my host and the loss of the server containing the Fredart and Sarah's Origami websites.  I have backups, so i can put things back together, i just haven't had the time yet... that and the fact that i really want to change fredart itself into a site i actually use to post and organize stuff rather than an older, rarely used repository of my older work.  

When i built the site back in 2000, non-static websites were kind of the new thing, sites that built themselves, parsing themselves server side when someone visited them.  Up till then, updating a site was usually a manual task, editing the code to add stuff, tweak things, break things ^^;;  Of course, the kind of interconnected social platforms like DA and Pixiv and Facebook and Twitter and stuff were not something to really worry about integrating.  I was proud of the fact that i had a little codebit on fredart that allowed TINAMI to index any new art i posted.  Back then, your homepage WAS where your work went, and the goal was getting people to your page to look at your stuff.

Today, things are kinda different.  The weird thing is, most of what i do and post and share can be (and often is) shared via the various active social network style 'enclaves' and in the case of Fredart, having the site be offline for several months is barely noticed.  I post art here on DA and on Pixiv, something things on Tumblr, i link things in Twitter and Facebook, and (way too rarely) on the Megatokyo page itself.  In what was a very disorganized and messed up year, it probably helped that all of this was plugged into neetworks (<-- that was totally a typo, but i think i'll leave it) so a lot more people saw stuff i was able to post and share than would if they just got tired of visiting my cricket-infested webpages.  

There are two kinda negative sides to all this, i think.  The first is that while each of these social networks (Facebook, Deviant Art, Tumblr, etc) are quite large, they are in a way like a gated community.  People have their favorite haunts that they tend to spend most of their time.  It sorta feels like it has compartmentalized the internet a little bit too much, imho.  The second thing has to do with what you have to do to reach everyone in this compartmentalized social networking age - you can't just post stuff to your homepage and know that people looking for your stuff will find it there.  You have to set up shop in each of the various social networking enclaves you have readers/fans/followers.  If i was a more organized person, i'd have a much better system for posting things cross-enclave.  As it is now, i post some stuff here, some stuff there, the result being that people often miss some things i post.  Since people usually hang out in several enclaves, you have to worry about spamming them too (i don't like the idea of bothering people too much).  When done well, you can reach a lot of people and keep people pretty happy.  If you flub it (which i am prone to doing) you will miss out on sharing your stuff with everyone.

I dunno, back in the 90s when i first got on the internet, i think the thing that was exciting was the idea that things could be in one place and everyone could find it there.  That idea is a bit fractured these days, but i guess it was inevitable in a lot of ways.  The net is vast, as they say, and content is not the problem - finding it is.  Fredart was a PHP coded website that i did myself that was remarkably archaic - all of the data was handled with flat text files (no databases for me, hacking around with PHP was hard enough to get my head around) and it was a massive pain to update (i had to create a txt file with the data all in the right places, and the site would count the number of files in the directory to determine how many elements were in the gallery, for instance).  It was kinda cool, but nothing like the things you can do with DA and stuff.  The trick for the new Fredart site will be that i want it to be a go-to point where all the different places things get posted will be shown and organized properly.  A place where i can start posting things, something idiot proof (a requirement) where i can start rambling on something (like this rant that sorta came out of nowhere) and be able to share it wherever i feel it should be shared.  

I totally passed on Myspace when it was the thing, but i was an early adopter on Twitter and a begrudging user of Facebook (where i probably reach the most people with the Megatokyo facebook page) and i still have no idea how to use Tumblr properly (who does?).  I still have no idea what im going to do with Google+, and like so many 'companies' you can only be active on so many social networks.  For instance, what about the soup.io people?  I have friends who use that, but i don't post anything there.  It makes you want to tear your hair out sometimes, and frankly... i'd rather be drawing or writing than fiddling with this stuff.  It used to take a long time to update fredart.com - editing text file, making thumbnails, uploading manually, etc.  But now, having to cross post in so many places, i think it actually takes longer to post new artwork than it used to.  Odd, really.

Finally, before i shut up, i'll note one other casualty of this social networking enclave thing - the web pages themselves.  Now i know you can customize things like DA and Pixiv to an extent, but you are still working within a framework that is exactly the same across the network.  Its sort of like the difference between an older neighborhood with lots of different kinds of houses that look different and unique vs. a gated community with rules about what your house can look like and what you can do in your front yard, etc.  I'm a contrarian by nature, i guess, and i miss the fact that in the past most people had to cobble their own websites together.  Sure, the results were often horrific, but they were still unique.  It used to be a lot of fun perusing japanese websites looking for artwork.  You can say that its much better this way because it's like seeing artwork on gallery walls and much easier to find and share them, and that you can still have your own website to present things in a creative way.  Thing is, most people's experience of your work will be in these social networks, not on your website.  

At least with Deviant Art and Pixiv and stuff, your art itself is your expression and says a lot about you.  The site itself is tuned out, mostly, and your work is what people look at.  Also, DA and Pixiv and the like are actually not bad to look at.  The thing that really grinds me, though, is Facebook.  Has it really happened that the way almost everyone these days presents themselves to the world is via a website that is really that... fuggly looking?  Sure, myspace was hellish, but facebook is way too restrictive and ugly.  But they didn't ask me about it, so what can you do. :)

i'll shut up now.  Sheesh, i was just gonna write a quick 'blah blah here, im posting some more stuff' post and it turned into this.  Maybe it should be a rant?  I wonder where that button is that will cross-post this to the Megatokyo site and... oh, i don't have that yet.  Maybe someday.

fredrin
  • Listening to: Light Colors by LIA

deviantID

fredrin
Fred Gallagher
Artist | Professional | Traditional Art
United States
Befuddled and artistically challenged hack behind the webcomic/manga Megatokyo.

Megatokyo: www.megatokyo.com
Fredart: www.fredart.com
Facebook: www.facebook.com/fredrin
MT facebook: www.facebook.com/#/pages/Megat…
PIXIV: www.pixiv.net/member.php?id=49…

Comments


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:iconswenyar:
swenyar Featured By Owner Dec 5, 2014
Hello
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:iconkei-magissa:
Kei-Magissa Featured By Owner Nov 24, 2014  Student General Artist
I have literally been hoping to run into you and your art for years!! You're the one who inspired me to draw for the longest!!!
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:iconzerro:
Zerro Featured By Owner Jul 3, 2014
I know you ignore comments, but just maybe you'll check this one.

Commission: Zerro by Sabviee

A gift to the man who's art and storytelling have inspired me for almost 10 years.
Reply
:icondragongirlart:
dragongirlart Featured By Owner Jun 23, 2014  Professional Traditional Artist
I can not believe you are on Deviant Art O.O It is such an Honor! :D
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:iconthebadpill:
TheBadPill Featured By Owner Jun 6, 2014  Hobbyist Digital Artist
Been a big fan of Megatokyo for years. Been re-reading my books at work lately.
Reply
:iconsabakunomimirinkaara:
sabakunomimirinkaara Featured By Owner May 23, 2014  Hobbyist Writer
I used to love your manga megatokyo as a kid, in fact almost my whole family did. I'm hoping to become a mangaka too someday ^^ keep up the great work 
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:iconspiderliing666:
spiderliing666 Featured By Owner May 15, 2014   General Artist
Thanks so much for the watch!!! :iconblushplz:
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:iconjoshdilisi:
JOSHDILISI Featured By Owner May 14, 2014  Hobbyist Digital Artist
i have been reading Megatokyo since probably around 2006,  not your earliest fan but i really love and admire your work! i really hope i can see you at a convention one day, and looking forward to reading more of your stuff :)
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:iconarmored-cross187:
Armored-Cross187 Featured By Owner Apr 18, 2014  Hobbyist Traditional Artist
You draw very nicely in pencil.
I recently ran into your work inside a library from your megatokyo books and I just realized from you, that you DON'T need color for pictures to gain approval. So thank you for that.

I only use pencil and paper and draw vehicles and Guns, Only recently have I started to draw people that aren't incased inside Armored coffins.

Your pictures teach me alot from just viewing them So...Im gunna start posting more work. Cheers. 
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:iconfattylover101:
Fattylover101 Featured By Owner Apr 5, 2014
You are the baddest mothafuckah in the valley props to you dude, keep up the great work =D
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